共有 17338 个筛选结果
魔力
添加: 2023-06-19
主演: 张京/ 石一夫/ 高建华/
简介: 方咪咪与方甲甲姐弟俩在一个偶然的情况下被发现有特异功能。消息不胫而走,一时间,他们成了新闻人物。方家和学校从此忙碌起来,有的人要求甲甲、咪咪找一找祖上埋下的元宝;有的人请他俩去为患者透视看病;有的要他们去帮助破案;而学校的关校长却想利用他们去巴结领导从而得到的提拔。这时,华夏大学人体研究所的工作人员米兰提出要对他俩进行测试,以便带他们到北京参加特异功能研讨会……关校长为了讨好各方,不惜一女两嫁暗中得得,最终因为收受贿赂而受到了应有的惩处。在为外宾表演的专场中,咪咪和甲甲利用思维控制的功能使两位外宾情不自禁跳起了迪斯科,使中外宾客大饱眼福,世界特异功能表演大赛主持人查尔斯向姐弟俩发出了参赛邀请。自然之谜》杂志社总编胡梦龙和钱菲菲趁机以此为资本,办起了特异功能刊院,大雪骗取钱财。以满天飞和黄毛为道的流氓盗窃团伙。为了利用咪咪和甲甲帮助他们找到清代的稀世国宝,将姐弟俩劫持到一个地洞里。咪咪和甲甲不畏强暴、巧于周旋,最终在公安人员的配合下,利用自身的特异功能战胜了邪恶。胡梦龙被抓走;满天飞丧命;大疤脸和黄毛也被逮捕归案。姐弟俩幸福地回到了亲人的怀抱,随着科研人员米兰来到了北京。
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不安
添加: 2023-06-19
主演: 英格丽·褒曼/ 雷娜特·曼哈特/ 马蒂亚斯·维曼/
简介: Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
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